Film almanac, consisting of four novels, United by one theme — a short stay of the characters in the capital. About the sailor who met his love in Moscow, about the birth of a little girl and about other, no less interesting events.

Set amidst the rich sounds and diverse tapestry of the American landscape, Passing Through tells the incredible true story of a young man who journeys on foot from Pennsylvania to California, collecting stories as he goes. But when his trek brings to light an unresolved family crisis, he must use the lessons he’s gathered to finally confront his past. Don’t miss the musical that celebrates America and the power of what can happen when we open ourselves up to a stranger.

Passing Through is a snapshot of a family's holiday gathering in Trinidad and Tobago that invites the viewer into warm celebration and the rituals of food, cards and music. An ephemeral travelogue of moments that records a journey home using photography, haiku and prose revealing togetherness in a mother's hands, toes in sand and a dance in dappled sunlight. 　　源自：https://hotdocs.ca/whats-on/hot-docs-festival/films/2023/passing-through

Passing Through is a snapshot of a family's holiday gathering in Trinidad and Tobago that invites the viewer into warm celebration and the rituals of food, cards and music. An ephemeral travelogue of moments that records a journey home using photography, haiku and prose revealing togetherness in a mother's hands, toes in sand and a dance in dappled sunlight. 　　源自：https://hotdocs.ca/whats-on/hot-docs-festival/films/2023/passing-through

A full-length movie recap of the Maison Ikkoku series that focuses on the relationship between Godai and Kyoko. The entire special is taken from footage of the TV series.

In 1920s New York City, a Black woman finds her world upended when her life becomes intertwined with a former childhood friend who's passing as white.

PASSING follows a young woman who finally gathers the courage to say hello to a stranger on a New York street, capturing the quiet tension of a moment where everything could change. What begins as a simple interaction becomes a window into all the ways we hesitate, imagine, and project possibilities onto the people we cross paths with. The film lingers on that brief space between fear and action, where connection feels both within reach and impossibly fragile.

Policeman Lesha, who came to the capital from a small provincial town, meets a beautiful student, Dasha. To ingratiate himself with the girl, he introduces himself to her as a law student living in the very center of Moscow. The lovers' relationship is gaining momentum, and now it's getting harder for Lyosha to tell Dasha the truth.…

Continuing the exploration of the thin line between truth and performance, Eduardo Coutinho turns his attention to the drama generated during rehearsals for the Galpão Theater Company’s performance of Chekov’s The Three Sisters. As he shoots scenes from the play, Coutinho attempts to capture the very moment in which reality becomes fiction and vice versa—whether through the actors’ bodies and words or in backstage scenes of a performance that will exist only on film.

Two kids have grown up, and now one is a secretary at a conglomerate, and the another is a part-time worker who just got laid off. The severe reality and the different perceptions erode their friendship and the time they spent together.